Blignas: April 2013

Thursday, April 25, 2013

[E296.Ebook] Download Spectrum 20: The Best in Contemporary Fantastic ArtFrom Underwood Books

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Challenging, controversial, educational, and irreverent, the award-winning Spectrum series reinforces both the importance and prevalence of fantastic art in today’s culture. With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital. The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year’s highly most anticipated books.

Featured in SPECTRUM 20 are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Kinuko Craft, James Gurney, Peter de Sève. With art from books, graphic novels, video games, films, galleries, and advertising, Spectrum is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else Year In Review. Contact information for each artist is included in a handy index.

Often imitated, never equaled, SPECTRUM 20 continues the freshness and excellence that was established nineteen years ago.

Sales Rank: #486701 in Books
Published on: 2013-11-19
Original language: English
Number of items: 1
Dimensions: 12.00" h x 1.50" w x 9.00" l, 3.80 pounds
Binding: Paperback
304 pages

Review

"Spectrum is a compendium of wonders-a treasure-hoard of incalculable value. Over the years, these books have provided me with an enormous amount of inspiration: fantastical images that have suggested and enriched my stories. I can't recommend Spectrum enough. Buy this book now and revel in the dreams within."
--Christopher Paolini, Bestselling author of the Inheritance Cycle

"The latest Spectrum annual surpasses all expectations with stunning fantasy art."
--ImagineFX Magazine

"...a feast for the eye and the imagination." --New Times

"[Spectrum] most definitely belongs in the library of any art lover or artist."
--Airbrush Art + Action

"A full color presentation of the current state of the art-charming, sublime, exotic, horrific..."
--Locus

"The best annual out there!"
--James Gurney, creator of Dynotopia

"I’m hooked ... This is a fantastic book." --The Fringe

"If you are a lover of fantastic art this is the ONE book you must have each year!"
–-Mania Entertainment

"A dandy look at the year in contemporary fantastic art ... highly recommended."
-–Green Man Review

About the Author
Cathy Fenner and Arnie Fenner are recipients of the Locus Award and World Fantasy Award for Spectrum as Best Art Book. In addition to Spectrum, the Fenners have edited a number of books celebrating contemporary art, including R/EVOLUTION: The Art of Jon Foster, ORIGINS: The Art of John Jude Palencar, THE BEST OF GAHAN WILSON and Frank Frazetta’s ICON, LEGACY, TESTAMENT and TELLING STORIES. They live in Overland Park, KS.

Most helpful customer reviews

20 of 22 people found the following review helpful.
Highly inspirational. Highly recommended.
By Parka
[[VIDEOID:mo13BWOCCV8E58Z]]Spectrum 20 is yet another wonderful collection of amazing artworks. One just have to open up the book to see the number of talented artists there are out there. You'll see familiar names, you'll also see new names.

It's a terrific value for the price of a big 304-page artbook, available in paperback and hardcover.

This year's Grand Master Award goes to Brom, who also happens to have his personal artbook The Art of Brom out in August. You'll want to check out that artbook. And also check out other volumes in the Spectrum series.

Highly inspirational. Highly recommended.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

17 of 18 people found the following review helpful.
Twenty Years! - Well done.
By jpcooper
For those who own, or have viewed, any of the nineteen previous Spectrum collections this newest volume follows the same format and includes a number of the same artists. If "Fantastic" art is to your liking this newest offering should be a welcome addition to your library. There is something here for everybody. Which, of course, means that a fair number of the entries will be of marginal interest but will be compensated by a few others that will just knock your socks off.

I have collected the Spectrum series from the first volume and they are always something to look forward to. The editors consistently present the very best artists in the field and there is not one edition I haven't enjoyed looking through over and over again.

It is interesting to contrast the works in the earlier volumes and see just how far the quality of the art has progressed. I enjoy the early editions but there is no question, at least in my judgement, that todays artists have really ratcheted it up a few notches. The work in the later Spectrum series volumes is much more polished and, seen in its entirety, much more diverse.

There seems to be some controversy regarding the mediums employed in the production of these works (the digital vs traditional debate). I am not in a position to weigh in with any meaningful commentary as I am not an artist myself. I will not likely be owning any of the originals from these artists, whatever the format, so I just relax in a nice comfortable chair and enjoy them for the pleasure and creativity they do offer. I know I couldn't produce anything nearly as impressive with a brush, pencil, pen, keyboard or mouse so a big hat-tip to those of your that can.

Will be pre-ordering #21 as soon as Amazon has it listed - Thanks

0 of 0 people found the following review helpful.
Best Fantastic Art Book
By A.M. Landaker
The best of fantasy, sci-fi, horror, and comic art of the year. Yes, there's still some "sexy fantasy seductress" art that makes my feminist side cringe, but it is more than balanced out by thoughtful, original, awe-inspiring pieces. Some make you laugh, some tell epic stories all on their own, some make you think, and some are just downright fun.

See all 54 customer reviews...

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Thursday, April 18, 2013

[K424.Ebook] Download The Monster at the End of This Book (Sesame Street) (Big Bird's Favorites Board Books), by Jon Stone, Michael Smollin

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Lovable, furry old Grover is distressed to learn that there's a monster at the end of this book! He begs readers not to turn the pages, but of course kids feel they just have to see this monster for themselves. Grover is astonished--and toddlers will be delighted--to discover who is really the monster at the end of the book!

Sales Rank: #6133 in Books
Brand: Random House Books for Young Readers
Published on: 2000-06-27
Released on: 2000-06-27
Original language: English
Number of items: 1
Dimensions: 5.75" h x .25" w x 4.25" l, .25 pounds
Binding: Board book
24 pages

Features

Great product!

From the Inside Flap
Lovable, furry old Grover is distressed to learn that there's a monster at the end of this book! He begs readers not to turn the pages, but of course kids feel they just have to see this monster for themselves. Grover is astonished--and kids are delighted--to discover who is really the monster at the end of the book!

About the Author
Jon Stone was the first head writer for Sesame Street and was one of the show’s principal directors and producers for over 24 years.

Most helpful customer reviews

230 of 255 people found the following review helpful.
Destiny, Fate, and Self-Knowledge
By A Customer
_The Monster At The End Of This Book_ (henceforth "TMATEOTB") is a fascinating treatise on several of the philosophical problems lurking at the core of modern and classical thought. The premise -- that, with the turn of each page, the reader brings self-described "lovable, furry Grover" closer to danger at the hands of the title monster -- allows one to question the very nature of free will and destiny. Is Grover doomed to encounter the monster? The conceit that it is the act of turning pages -- the literal act of reading itself -- that causes the ending to come about inevitably leads to the question: Would the book end differently if one _didn't_ finish reading it? On another level, TMATEOTB addresses one of the paradoxes of contemporary physics: The equality of space and time. The "end of the book" is an event in the future, but the monster is not spoken of as "arriving", but as _already being there_. Thus, turning pages moves the reader and Grover not only forward in time, as in most traditional literature, but also forward in space, leading to the perilous End of the Book. Lastly, TMATEOTB is about how we are ultimately at the whim of the cosmic forces that shape our lives. The hapless protagonist tries again and again to stop the reader from turning pages by erecting brick walls and nailing one page to the other. His efforts are futile, but he remains unaware of his essential helplessness in the face of a Reader. Perhaps, the book says, we are ultimately doomed to fail, trapped within the pages of cosmic irony, but unable to prevent or even perceive the inevitability of our encounter with the monster. The shocking twist ending wraps up the disparate threads of the text, presenting issues of self-knowledge, the nature of fear, and the question of what it truly means to be a monster. Perhaps the failure of our quests for safety in an uncertain world isn't so bad, it argues, if it leads to a confrontation like the one depicted in _The Monster At The End Of This Book_.

1 of 1 people found the following review helpful.
Giggle Fest
By A. M. Rogers
I believe a lot of people can cite "The Monster At the End of This Book" as one of the first books they remember reading as a child. Not only because it featured a beloved character from a TV show many children grew up watching, but because it was probably their first exposure to an interactive story -- instead of simply reading a pre-written tale, children felt they were interacting with Grover himself, and that their actions affected the story itself. Before this book, not many children's books experimented with breaking the fourth wall and addressing the reader directly, and in this sense "Monster" was ahead of its time.

I recently purchased this book for a friend's baby shower gift, and she, too, said it was one of her absolute favorite books as a child and she was eager to share it with her own son when he was old enough. It's heartening to know that a simple children's book can be so beloved by all ages.

As stated before, what makes "Monster" unique is that it's main character, Grover, is fully aware that he's in a book, and tries to tell the reader to not turn the pages -- because the further you read, the closer you get to the end of the book, where supposedly a monster lurks. Grover pleads with the reader, and even resorts to increasingly silly methods to keep the reader from turning the pages. There's even a bit of suspense built up as Grover's fear builds with every page turned, and one can't help but feel a little sorry for him. Naturally, I won't spoil the ending, and I doubt any reader, no matter the age, is going to stop reading to the very end despite all Grover's best efforts.

Also, the art bears mention -- it's a loose and sketchy style, in contrast with the later Sesame Street books that would have relatively crisp and clean artwork, and very few of the pages have actual backgrounds. But I actually rather liked it as a kid, and I still like it now. The story is very simple and no-frills, and so the artwork is made to match. Also, it's nice to have a unique art style in a TV-spinoff book, where most books based on a TV show have generic-looking "canned art" instead of much in the way of creativity.

A fun and unique read for young children, this is a must for any child's library. Young readers will enjoy feeling that they have control over the story, and giggling along to Grover's antics.

0 of 0 people found the following review helpful.
If you don't own this book, get it. You won't be disappointed!!!
By Storyteller
I had to buy this book on kindle because (sadly) my copy is in storage, and none of the people in the two houses I am connect to most days had ever HEARD of it!!! I was mind boggled. So I bought it on Kindle so that I could read it to each of them.......and yes, the pictures are critical to the story!!

The Monster at the End of this Book is an absolute classic of children's literature. In my opinion, it belongs in every home, at least every home that know about Sesame Street.

I have been reading it to my kids for years.....in my opinion it is better reading it to someone, or having it read to you, than simply reading it to yourself.

If you don't own this book, get it, you won't be disappointed.

See all 1816 customer reviews...

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Monday, April 15, 2013

[U690.Ebook] Free Ebook The Book of Knowledge: I Am Alien, by Roman Harambura

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We all have questions ... "Who actually built the pyramids?" "What happens after we die?" "Who created crop circles? And why?" "Nostradamus: the Healer-the Prophet-the Man" "Cleopatra: the women behind the legend" "Who actually controls humanity?" "If Nikola Tesla was so important, why is he so forgotten?" "What is the purpose of life?" But who has the answers? Without a doubt, author Roman Harambura believes, we hold the answers ... within our imagination, the greatest gift of all. The universe, he explains, is filled with life, and human beings are not alone. Earth, our home, is simply one planet in a sky filled with thousands of universes, each with the potential to harbor life beyond our human ability to understand. If we can simply come to accept and embrace the fact that we are just one small part of the inconceivably vast miracle of life across the stars, our own world would change. Imagination, in Harambura's experience, is our greatest gift. In his The Book of Knowledge: I Am Alien, he shares an eclectic and thought-provoking array of ideas to inspire, engage, and capture your imagination. As expressed by a being known as Kuntarkis, the hundreds of lessons, insights, and experiences within are intended to instigate your own questions and journey of discovery. Kuntarkis also answers questions submitted by people from all over the world. This book is highly recommended for those who are seeking a broader understanding, not just about their own lives, but life in all aspects.

Sales Rank: #3588040 in Books
Published on: 2014-10-24
Original language: English
Number of items: 1
Dimensions: 9.02" h x 2.22" w x 5.98" l, 3.27 pounds
Binding: Paperback
1136 pages

From the Author
So many people have said to me in the past, why write a book. I would always answer in the same way. To share knowledge, that's what life is all about. If we decide to have children we give them the best advice to help them become balanced human beings, so they inturn can pass on the knowledge to there friends, their own children.
I wrote this book of knowledge over a ten (10) year period, compiled it, formatted it and self published it in December 2014. To me it was a great honour to create such a wonderful book, to share with the world so much of my inner self.

To me knowledge is the key to freedom, to help set each of us free from the prison we each as human beings created from an Ego who want not only to dominate us, but to create violent wars within all of humanity. I came to my own understanding not only of who and what I am as a being, but saw things as they really are. There is a truth within all of us, it comes from our hearts, that truth is Timeless/Ageless/Endless and Limitless in all things, we each as human beings are so much more then just our physical self. We are all living consciousness on a journey of self-discovery, when we in our own space and time come to that realization we each will transform our consciousness to higher forms of understanding. We will no longer be just human animals, we will each become human beings.

The lower self of human Ego, will dissolve back into a nothingness from which we as humans created so long ago. This book of knowledge-I am alien was created so every human being could have the same opportunity not only to understand where we all come from, more to the point, where we each originated from. But to help all of us go beyond our own self-created conditioning which forms our beliefs systems. I learned to love my human self, and to forgive my human self through the greatest word in the English language, it called LOVE, and when we learn to love ourselves unconditionally we have experienced that essence of love. Only then we can truly love another and except that love from another, that's what inspired me to write this book and share it with the humanity.

My heart is your heart, my love is your love, my life is your life, I am you and you are me. We are truly sisters and brothers, we all come from light which is living consciousness. The only thing that separates each of us is our experiences of life itself. Be blessed to all in unconditional love always.

From the Inside Flap
Writing this book was fairly easy, but when it came to the Preface and even the Introduction, I began to hesitate. Why? I would ask myself many times the answer seems to allude me. This whole book is based on an entity who is called Jecuss Kuntarkis from a planet called Nar'Kariss and the beings are known as the Nar'Karones. Their planet is around 417 thousand Light years from our planet Earth. A few million years ago an entity named Yarkuss Kariss from a distant Universe, he came to the planet Nar'Kariss first to observe the people, to see if they wanted to advance in their Consciousness.

This entity stayed and lived with the Nar'Karones, slowly but surely he began to express knowledge amongst the people , over the next several hundred years his words of wisdom spread over the entire planet. The Nar'Karones accepted him as one of their own, on Nar'Kariss there are no governments as on our Earth, what they do have are committees, these committees are selected by the people, and it is the people who make the final decision by a voting system similar to ours on Earth.

The entity known as Yarkuss Kariss stayed among the Nar'Karones for many thousands of years, he helped develop the people in advancing their Consciousness. Where he comes from his own civilisation had moved beyond the physical vibration of matter into a higher realm of the non-physical. These beings do and create everything from their own power of thought. We as humans on this Earth which is called the third (3rd) Dimension are living a physical existence, we create everything from physical matter.

This entity known as Yarkuss Kariss decided to expand his own Consciousness by creating four (4) new energies from his own being of living consciousness. One of these beings is called Kuntarkis, who has come to planet Earth to express knowledge, to share with Humanity that we as humans are so much more then just our physical self. I feel deeply honoured to have Kuntarkis all the knowledge that has been written in this book.

As the reader must understand , as you venture into this book, please open your mind and your heart without any form of judgement. Be unbiased in all that you read, realise in this moment, just because you cannot see something or touch or smell it does not mean it doesn't exist. There are hundreds of different Universes, Realms, Vibrations, even Parallel Worlds existing right here in our Earthy Vibration. The only reason we do not know of their existence is because they are vibrating at a different frequency, some below ours and some much higher then ours, but they do exist.

As you the reader work your way through this book, what you will discover is something inside yourself is telling you there is so much more to our human life then what we each have been conditioned to believe. I trust as the writer you will begin a journey of discovering who and what you truly are in the scheme of this vastness, this universe all of us call home.

Enjoy all of this book of knowledge, for life is simply a journey and knowledge is truly the key to ultimate freedom. There is an expression that Yarkuss Kariss would express to the Nar'Karones, it is simple in itself, yet if one truly takes on the power of one's own inner being while expressing it's words and truly believes beyond all doubt, it will and must be manifested into one' reality. This is the simple expression of his words: I have a Great Gift, my "IMAGINATION" is Everything, and Everything is a Manifestation of my "IMAGINATION".

So use your "IMAGINATION" beautiful human beings in all that you do, for that is true manifestation, that is the power of: "THE LAW OF ATTRACTION"

From the Back Cover
THE BOOK of KNOWLEDGE-I am ALIEN

This book will open up your "IMAGINATION" to a far greater depth of Universal understanding that there is without doubt, a Universe full of other life forms. That we as human beings are not alone. If we could each learn to accept that there are thousands of different Universes . That the Earth we each call home, is but one planet amongst hundreds of thousands, and so many have life forms, "YES" different to us as humans, but beaming with life.

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Every chess player knows how difficult it can be to convert an advantage into a win. Positional technique is what you need and this book teaches exactly that in 15 thematic lessons. The training material is based on 80 games of the legendary positional genius Ulf Andersson, a world elite player from Sweden who reached number four on the FIDE rating list. Studying Andersson?s crystal-clear middlegame and endgame technique, which Kaufeld and Kern made accessible for club players by pinpointing exactly in which positions and how Andersson made the difference, will improve your strategic skills and your positional feeling.

Sales Rank: #1159152 in Books
Brand: The House of Staunton
Published on: 2011-04-16
Original language: English
Number of items: 1
Dimensions: 9.47" h x .60" w x 6.87" l, 1.04 pounds
Binding: Paperback
224 pages

Features

Author: Guido Kern,Jurgen Kaufeld
Pages: 224 Pages
Publication Years: 2011

Review
If this was just a collection of his games, I would be high on the book. However, the authors took things to another level by offering 80 of his finest games, but also making each one a lesson. The notes are simple and clear, and the writers go out of their way to explain all the key positional features so you can follow what's going on and learn from it. Adding greatly to the instructional value are test diagrams. (Jeremy Silman, US Chess online, author of How to Reassess Your Chess)

Ulf was our cult figure, we'd give anything to become like him. (Alex Yermolinksy, former U.S. Champion)

The choice of the games is just as good as the penetrating analysis and the didactic presentation. The authors unlock the essential characteristics of each position by showing the ideas behind the moves. (KARL Magazine)

One wonders if many players, especially time-limited amateurs, might not do better to adopt Andersson's approach emphasizing overall understanding in place of memorizing lots of sharp opening theory. Strongly recommended. (John Donaldson, International master, International Master)

A good mixture of prose and variations. The book is both an anthology of best games and a teaching text on positional chess. It can be enjoyed on many levels. (Joe Petrolito Australasian Chess Magazine)

The annotations are ideally suited for the average player - clear verbal explanations, supplemented by sufficient, but still relatively few, variations. (Diplo: Towards more inclusive and effective diplomacy)

Positional precepts are often a mystery to many a player, but Kaufeld and Kern's explanations are so percipient that average players will come to a deeper understanding of the concepts of positional play. There are few books that speak to its audience in such an accessible manner. (Brian Almeida ChessCafe.com)

Reading Grandmaster Chess Strategy is an invigorating experience which will stimulate your positional vision and make you appreciate the subtle features of chess. (Arne Moll ChessVibes)

This book opens your eyes! (Grandmaster Peter Leko)

From Andersson, better than from anyone else, one learns pure chess, without being distracted by tactical coincidences. (Harald Keilhack Schach Magazine)

A great book! Andersson was my idol, too. (Simen Agdestein, Grandmaster, six-time Norwegian Chamion and former trainer of Magnus Carlsen)

Excellent. (Sean Marsh CHESS Magazine)

A book for collectors, for connoisseurs, and for chess players who want to improve. (Richard Vedder, FIDE Master, Netherlands Schakers.info)

About the Author
Guido Kern(1961) is an International Master and an experienced chess trainer for the German Chess Federation.

Most helpful customer reviews

29 of 31 people found the following review helpful.
Endgame masterpieces from a Swedish Zen master
By phaedrus
Had always wondered why there is no book on Ulf Andersson's games.
The only available source for Andersson's games before this book is
Aagard's "Excelling at Chess" and Pritchett and Kopec's "Best Games
of the Young Grandmasters". The wait is over! The current book offers
a deep look into Andersson's subtle positional (and very technical)
chess with incredibly many useful endgame ideas.

Agreed with Yermolinsky's comments that Andersson is a cult figure.
Polugaevsky even said (comments at the end of the book) that no one
[in the Soviet Union] plays like him. His endgame technique has been
compared to Capablanca, Rubinstein, Smyslov and Karpov.

It is unfortunate that Andersson is too modest to author his own game
collections. But the authors had done a nice job of letting the games speak
for themselves. They are organized according to thematic concepts.
The games in the book are not unlike Tal's games which tactically contain
mind-boggling ideas; Andersson's games also contain some mind-boggling
positional ideas (some are counter-intuitive and as daring as sacrificial
attacks: simply check the chapter on positional Queen sacrifices).

This is an excellent book for anyone who appreciates subtle technical chess
and beautiful endgames. This book is as enjoyable as Shereshevsky's classic.
Another fine offering from New In Chess.

22 of 23 people found the following review helpful.
Good book of strategic chess
By Martin
I played through all the games of this book (80 of them) and really liked it. Andersson's style seems deceptively simple. In many endgame positions which to me seemed drawn or difficult to win because of my lack of technical skills, Andersson wins in logical fashion and makes it look easy. The analysis was well aimed at a player of my strength, 1700-1800, and it did not bury me.
The book has 15 chapters based on theme, for example: playing against two weaknesses, an advantage in space, control of the d-file, fighting against the hedgehog, the art of defense, the Catalan endgame, rook endings, and various others.
Andersson's openings as White are mostly 1 Nf3 2 c4 3 g3 with an English Opening resulting. This move order also works against the Tarrasch Defense, Queens's Indian and King's Indian. He plays the Catalan if Black plays ...Nf6, ...e6, ...d5. He usually answers 1 Nf3 d5 with 2 d4. He is willing to go into the Sicilian Maroczy bind after playing Nf3 and c4 by playing e4 and d4 if Black heads that way.
I actually finished this book, which does not happen with most of my chess books, and I think the design of the book and the approach of the authors is part of the reason. It was more enjoyable than I expected.

52 of 61 people found the following review helpful.
The games of Ulf Anderson are the highlight ... the rest is very uneven
By Igelfeld
This book has gotten very good reviews both here on Amazon and other sources such as New In Chess (publisher of the book) and my input takes a slightly different perspective.

The book itself is based on the games from Grandmaster Ulf Anderson. Anderson in his prime was a top 5 player in the world and has played the world elite from the past 30+ years. The games of Anderson are well worth studying and the authors certainly picked a ripe and fresh topic using Anderson's games. The book steps through a series of strategic themes that are fairly typical of books on strategies. No real shockers in the list but I will shortly make some mention of additions specific to Anderson. The book starts with an intro from Peter Leko, the Hungarian world title contender. It's very prophetic when he says in the intro that he played a number of moves and really didn't see how he ultimately lost against Anderson. Other players back this observation up with a notable quote from IM Mark Dvoretsky saying something similar. This in fact is part of the problem with the book.

Why is that a problem??

Well, in games where there are a number of strategical subtleties, it really takes an advanced player to understand them. I actually think that a club player studying Anderson's game can learn a tremendous amount about strategic play wrapping up most of Nimzowitch's lessons from My System. Unfortunately, the authors are very clumsy in the way that they handle the games and the annotations. They definitely provided an interesting mechanism by pausing in the games to ask about the next move, but often there are a number of points in the game where subtleties occur with absolutely no mention. Very oddly, the authors will go into very long variations and points in the game where there is no mention at all what the strategic or tactical plan is for that 15 to 20 move sequence (ending either with an unexplained positional assessment or a reference to a single played game for that variation). Well, long sequences with assessments is an indication that a computer was used for analysis and then likely checked by the author. This really is not very valuable for me personally because I could simply take a game of Ulf Anderson from a game database and used the computer to look at possible moves.

Other structural problems included the preable to each chapter with a summary of the games and critical moves. For me, this is just annoying because I'd much rather have the authors give this preamble prior to the actual game with some better outline of the overall game plan for each side (or something). In fact, many to most of the games, the authors really didn't point out where the game was really slipping into a lost position. I know that some might argue with this point, but because so many moves were not really looked at critically, you could see trends well before the authors put in annotations that said something like "all other alternatives are also bad". The annotations did improve as the book progressed but I highly doubt that the club player really can try and play like Ulf Anderson unless they spend a tremendous number hours on technique. And this is really the point. Ulf Anderson had superb technique. He generally simplified positions through trades and took advantage of a subtle positional advantage. Often this advantage was perhaps in a slightly better than equal position. It should be noted that many of the games are not with heavy hitting GMs, so you may suffer from not recognizing quite a few of his opponents. In some games, the opponents made highly dubious moves and that is when the author's paused with their highlighted box asking "what do you think Ulf did and why?". The problem is that the club player to get to those positions is likely to make a considerably larger number of mistakes and therefore may find a single move in a position that he can't navigate into against an opponent of decent strength. The book could have easily been a selection of game positions with critical choices followed by a detailed explanation of the factors going into the "turning point".

With all that said, the true audience for this book is really a very narrow set of players that can fill in a lot of their analyses and details. Even Luke McShane in his New In Chess review of the book waved off the analyses and annotations of the authors and cited a position "buried" in unannotated game moves. Any player with attention for detail will in fact do the same thing challenging many unnannotated moves. The book does provide one the games to do such a thing, but so would a database. I don't want to be overly hard on the authors, they took on one of the most daunting tasks, using Ulf Anderson's games as the vehicle for their teaching. The book could easily have been called "How Ulf Anderson Squeezed Out Wins with Small Positional Advantages". However, there isn't a consistency through the games or themes to really say that they did better than a 3 star job in doing that.

Because the book is primarily about technique, the authors included some chapters on the endgame including one on the Catalan endgame. Endgames often are where positional themes start to fall apart with (in my opinion and as offered in the book Endgame Strategy by Shereshevsky)is about taking advantage of multiple weaknesses. Anderson really understood how to do this extremely well and furthermore, had a great nack for creating additional weaknesses.

So, in summary ... I'm very happy that I went through the games of Ulf Anderson, definitely feel that I've learned a great deal from the book, but I am disappointed in the overall annotations and positional assessment explanations in the book. This is partly because authors that try and stay "theme-oriented" often muddle the works because most games have multiple themes. There are very few games where one of the players does not have the advantage of giving his opponent two weaknesses. How many games aren't critically affected by the decision of the knight/bishop exchange? The list goes on and so the better books don't actually try and classify these things but instead help the student RECOGNIZE positions with potential for transformation. This is a tough skill to learn and even tougher to teach, but Ulf Anderson is perhaps the best that chess has ever offered in this area (other players include Fischer, Capablanca both who could squeeze out the advantage in any position).

I conditionally recommend this book to those students who really can critically examine EVERY move of Anderson's games and extract as much value as possible from the author's comments. But using Anderson as a model for play could result in a great many losses or draws because so much skill is required to take advantage of subtle positional advantages.

As I say in many of reviews of chess books, the price for the chess lessons in this book are extremely inexpensive and it really is time that is the deciding point on whether you'll really get something out of this book.

PS If you are a Reti player or English opening or hedgehog, they make up the majority of games in this book. I would caution you that the annotations on these openings are poor relatively to the work of Shipov (Hedgehog, five star book) or even McDonald's book on the Reti (3 star but still much better). Of course Marin's three volume set leaves all annotations on the English looking sub-standard including this book.

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Sales Rank: #2713479 in Books
Published on: 1600
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Although there are several good books on unsupervised machine learning, we felt that many of them are too theoretical. This book provides practical guide to cluster analysis, elegant visualization and interpretation. It contains 5 parts. Part I provides a quick introduction to R and presents required R packages, as well as, data formats and dissimilarity measures for cluster analysis and visualization. Part II covers partitioning clustering methods, which subdivide the data sets into a set of k groups, where k is the number of groups pre-specified by the analyst. Partitioning clustering approaches include: K-means, K-Medoids (PAM) and CLARA algorithms. In Part III, we consider hierarchical clustering method, which is an alternative approach to partitioning clustering. The result of hierarchical clustering is a tree-based representation of the objects called dendrogram. In this part, we describe how to compute, visualize, interpret and compare dendrograms. Part IV describes clustering validation and evaluation strategies, which consists of measuring the goodness of clustering results. Among the chapters covered here, there are: Assessing clustering tendency, Determining the optimal number of clusters, Cluster validation statistics, Choosing the best clustering algorithms and Computing p-value for hierarchical clustering. Part V presents advanced clustering methods, including: Hierarchical k-means clustering, Fuzzy clustering, Model-based clustering and Density-based clustering.

Sales Rank: #238436 in Books
Published on: 2017-01-09
Original language: English
Dimensions: 10.00" h x .45" w x 8.00" l,
Binding: Paperback
188 pages

About the Author
Alboukadel Kassambara is a PhD in Bioinformatics and Cancer Biology. He works since many years on genomic data analysis and visualization. He created a bioinformatics tool named GenomicScape (www.genomicscape.com) which is an easy-to-use web tool for gene expression data analysis and visualization. He developed also a website called STHDA (Statistical Tools for High-throughput Data Analysis, www.sthda.com/english), which contains many tutorials on data analysis and visualization using R software and packages. He is the author of the R packages survminer (for analyzing and drawing survival curves), ggcorrplot (for drawing correlation matrix using ggplot2) and factoextra (to easily extract and visualize the results of multivariate analysis such PCA, CA, MCA and clustering). You can learn more about these packages at: http://www.sthda.com/english/wiki/r-packages. Recently, he published two books on data visualization: i) Guide to Create Beautiful Graphics in R (at: https://goo.gl/vJ0OYb); 2) Complete Guide to 3D Plots in R (at: https://goo.gl/v5gwl0).

Most helpful customer reviews

0 of 0 people found the following review helpful.
GREAT book on cluster analysis in R
By a reader
This is a very practical guide to cluster analysis. The book is an extremely easy and straightforward read which I went through in all of a couple of hours. You will find that you can run every analysis in the book by following the clear, uncluttered programming code. The visualization examples are excellent, as are the discussions of diagnostics for the number of clusters and for assessing cluster tendency There were a couple of topics missing that might improve a second edition: (1) while a chapter on advanced methods covers model-based clustering for metric dependent variables, there is no corresponding coverage of the poLCA package for categorical supervising variables, (2) while the book covers agglomerative hierarchical clustering, it skips divisive hierarchical clustering, available in the package diana.

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